1 Preliminary (preparations)

1.1 The board

1.1.1 The recess

1.1.2 Priming

1.2 Models

1.3 Pigments

1.4 Brushes

1.5 Good advice

2 Painting

2.1 General

2.1.1 Egg and vinegar

2.1.2 Egg (relative to the final result after varnishing)

2.1.3 Master, painting goes so slow

2.2 Colors

2.2.1 Opaque colors

2.2.2 Cool colors

2.2.3 The steps

2.3 Proplasmos and its applications

2.3.1 Proplasmos

2.3.2 Cool lights, warm proplasmos

2.3.3 Transparent proplasmos

2.4 The different garments

2.4.1 The red robe of the Mother of God

2.4.2 The blue garment with a black proplasmos

2.4.3 The blue garment with a blue proplasmos

2.4.4 Emerald green and yellow

2.4.5 The yellow garment

2.5 The skin parts

2.5.1 The proplasmos of the face and the grapsimata

2.5.2 Glycasmos

2.5.3 Second light

2.5.4 Second glycasmos

2.5.5 Everything doesn't fit everything

2.5.6 Monochromatic developments

2.5.7 Working with transparancies

2.5.8 Brush for the third light

3 Afterwards (finishing)

3.1 Shellac

3.2 Linseed oil

3.3 The varnish